Originally posted to Facebook 1/9/2016
This week we moved into the twentieth century, covering four films each from 1901 and 1902. They were:
The Devil and the Statue
The Man with the Rubber Head
Bluebeard
History of a Crime
Uncle Josh at the Moving Picture Show
Gulliver's Travels
Jack and the Beanstalk
A Trip to the Moon
At this point we seem to be an an "all Méliès, all the time" mode, and will be for several more weeks. Five of the eight films were from Méliès this week. The new special effect since last week appears to be double exposures that show people at different sizes. This is used in The Devil and the Statue, The Man with the Rubber Head, and Gulliver's Travels. In the first two it actually shows people shrinking and growing. Five of the eight had multiple sets and what I would consider a connected storyline, as compared to only two of eight from last week. Ben said at one point during Bluebeard, "People must have been better at understanding movies in those days, because I have no idea what is going on right now." This was during a period when Bluebeard and someone at a royal court were angrily gesturing at one another. I have not seen a title card as yet -- I assume that will be coming soon -- but one thing I've noticed is that many of the films, particularly the longer ones, seem to rely upon stories that are already well known, which aids comprehension. Gulliver's Travels and Jack and the Beanstalk definitely draw upon common knowledge, and Ben and Alli were both familiar with the story of Bluebeard as well -- more so that I was -- and they were a little more braced for the macabre site of Bluebeard's new wife discovering the room where his old wives' surprisingly fresh looking corpses were hanging from the ceiling.
At fifteen minutes, A Trip to the Moon was a full five minutes longer than any other film we've seen to date. The particular print we saw had the 1902 hand-coloring restored throughout, but had a score that was distractingly modern. Also, it did not seem to be entirely committed to scientific accuracy, nor did there seem to be any embryonic concept of the Prime Directive brewing in 1902. But I can't really criticize a movie where old men fight moon creatures with umbrellas.
Next week we'll move on 1903 and 1904, including The Great Train Robbery, maybe the second most iconic film from this period. The link to the viewing plan is: https://bit.ly/2lZtfmT
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